INTERVIEW: Max Peskin from Beijing-Based Vasoon Animation Co.

on July 12, 2013

BoxOffice recently caught up with Max Peskin, Global Communications manager for Beijing-based Vasoon Animation Co.

Born in Brookline, Massachusetts, Peskin moved to Beijing eight months ago in order to work within China's booming animation industry. Peskin opens up to BoxOffice about the animation market in China, what Chinese families are looking for when they go to the movies, and why Hollywood's animated films still do so well in China.  

BoxOffice: Tell us a little bit about Vasoon Animation Co. and your role there.

Peskin: Founded in 1992, Vasoon Animation is China's leading and oldest private animation studio. With over 180 animation professionals, Vasoon internationally produces a complete range of entertainment products, including animated feature films, animated TV series, artistic animated shorts and novels. Vasoon Animation has released features such as Kuiba, Kuiba 2, Spring Mood and Bird. The most recent feature Vasoon has released is Kuiba 2, which debuted on May 31st, 2012. Not only was it China's first animated film featured with 3D, but also was China's first feature with Dolby Atmos.

As the Global Communications Manager, it is my obligation to give the organization an international facelift and push Vasoon into the international spotlight. I submit Vasoon features to film festivals, prepare/submit press kits, manage Vasoon's online presence, reach out to distributors, production studios and other media outlet.

How long have you been living in China? Did it take you a while to adapt to life there and what were the toughest obstacles you had to face?

I have been living in Beijing for roughly eight months. In 2010 I studied at Fudan University for six months, so I already had a general understanding of what to expect while living in China. Regardless, the language proves to be the toughest obstacle when living in Beijing. Despite the language barrier, Vasoon has given plenty of support to make my transition easier.

If you had to sum up the state of Chinese animated films right now, how would you do it?

Chinese animation is rapidly improving the visual experience for their audience, however it still lacks the necessary creativity to break into international box offices. Local studios still struggle to develop an original animation style and a captivating story in order to capture a global audience. However, as local studios compete against each other and receive support from the government, there is a high likelihood of a studio producing an international blockbuster. Although the animation industry has difficulties with movie promotions and film distribution, a powerhouse studio would likely aid the local studios' efforts if the film has strong potential.

Why do you think that China's moviegoers respond so positively to animated films from Hollywood?

Hollywood animated features not only have beautiful animation and family-friendly stories, but also have their content catered for a global audience. In the current film market, it is vital for large studios to capitalize on the international box office revenue, so studios began to adjust their stories to appeal to an international crowd. Pixar is the perfect example of studios catering to a worldwide community, as the majority of their films focusing on the fantasy lives of objects or animals. This content catering tactic discards any racial issues from the movie while still captivating a global audience.

Animation relies heavily on the purchasing power of families. What do you think Chinese families are looking for when they seek out animated films to see in theaters?

Chinese families have similar requirements to western families when it comes to animated movies. They look for a family friendly animated feature that promotes morals and values which would inspire their children. It is also important for these features to not only entertain the children, but also the parents. If parents can also enjoy the feature with their children, it is a win-win for all parties involved.

How long do you think it will take for China to produce animated films that can not only perform well at home but also in other countries?

Government aid and local competition will make this day come sooner than later, 2020 Ernst in Young predicts China B.O dominance, which will increase the ante of the local studios. My guess, the first locally produced animated feature film will come out sometime within the next 5-10 years.

How big of a role does merchandising play in the Chinese animation market. For instance, we all know that Cars 2 was made largely because the property sells billions of dollars in merchandise. Is there anything like that happening in China?

Animated features can generate a strong revenue stream off of derivatives products, so merchandising plays a big role in China. Chinese animation studios that produce original IP eagerly look for merchandising opportunities if their feature has a strong enough following. Arguably the most popular animated television series, Creative Power Entertaining Co.'s Pleasant Goat and Big Big Wolf, has actively worked with Walt Disney to aid their development of derivative products. Even Vasoon manages to do a wide range of merchandising, such as novels, toys, playing cards and clothing. There are several local animation studios which have combined animation production and product manufacturing. One example of a studio that incorporates this horizontal integration is Guangdong Alpha Animation, as the organization has both animation production and producer manufacturing.

 

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