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GLOBAL PREVIEW: 'Star Trek: Into Darkness' Opens Overseas; 'Oblivion,' 'Django' Challenge 'Iron Man 3' in China on May 10, 2013

trek.pngIron Man 3 stole all the global box office headlines over the last two weeks, breaking records in nearly every territory and grossing over $800 million. The film has its sights set on the $1 billion global mark and might reach it in the coming weeks if it can keep up its performance.

Iron Man 3 has shown no signs of slowing down in its overseas release, with one glaring exception: Japan. Iron Man 3 lost the #1 spot at the box office in Japan during its second week in release. Japan is one of the world's major film markets, so it came as a surprise to see the superhero film relinquish the top spot to a domestic film that was enjoying its third week in theaters. Will other top global markets follow Japan's lead this weekend, or will Iron Man continue to soar?

The big question, as often seems to be the case lately, comes from China, where Iron Man 3 has already shattered box office records to reach a $79.6 million gross. Iron Man 3 has co-existed well with another blockbuster in the market, the Chinese drama So Young. The two films haven't taken any significant business away from one another, but that will likely change with the premieres of Oblivion (May 10) and the rescheduled release of Django Unchained (May 12). Django will take the May 12 release as a "better than nothing" compromise after being pulled from theaters only minutes after its original opening last month. Quentin Tarantino's Blaxploitation Western has grossed $421 million globally and will hope to reach the $500 million benchmark if the film can find an audience in China. 

Oblivion opened with a strong overseas premiere last month but has experienced a steep drop-off in subsequent weeks. The Tom Cruise film has underperformed, falling behind in multiple key markets after its initial success. Oblivion is sandwiched between Iron Man and Django, an uncomfortable proposition for Tom Cruise, whose latest Mission: Impossible sequel broke through in China but floundered with the recent Alex Cross fiasco. Tom Cruise's star-power in China will be put to the test when it goes head-to-head against the already massively successful Iron Man sequel and Django Unchained's highly-publicized taboo factor. Oblivion has grossed $223 globally and could potentially reach $300 million if it gains traction in China. In the unlikely event it survives its crowded release date, a $300 million global gross would still put Tom Cruise's latest behind the global numbers of the latest Die Hard and G.I. Joe sequels. 

Outside of China, Iron Man 3 will have to contend with another recognizable franchise with a loyal global following. Star Trek: Into Darkness opens in six territories this weekend, including major markets like Australia, Germany, Mexico, and the United Kingdom. The U.K. is Iron Man's third most important market, where it has already grossed $43.1 million. Mexico follows with a $38.6 million gross and Australia is the superhero sequel's seventh most important territory with $30 million. The Star Trek release could potentially cut into these markets, slowing down Iron Man 3 in vital territories as it heads towards $1 billion. If Iron Man 3 withstands the threat from Star Trek, it will cost J.J. Abrams' film a considerable amount of money from major overseas markets unwilling to dedicate as many screens to the sci-fi reboot's sequel while Iron Man is still in full force. Iron Man 3 fell 54% in Mexico and the U.K. in its second weekend. The superhero sequel saw a 56% decline in business in the same span in Australia. Iron Man 3 will have to experience an even bigger drop in those markets if Star Trek hopes to realize its overseas expectations. 

These are high stakes for four of the year's biggest movies. China is still the major market for studios, but crowded release dates and the audience's attachment to domestic films is bound to disappoint at least one of the three big Hollywood films playing there this weekend. Even if Iron Man 3 continues to succeed in China this weekend, it can still see its record-setting grosses begin to slow if Star Trek: Into Darkness overtakes it in other markets.

Follow Daniel Loria and BoxOffice on Twitter for more news on the global box office. 

U.K.: ‘Iron Man 3’ $9.8M Soars Ahead of the Competition on May 08, 2013

Iron-Man-3-Stills-iron-man-33278597-500-301.jpgIron Man 3 fell 54% after its impressive first week at the U.K. box office, grossing $9.8 million and bringing its market total to $38.1 million. 21 and Over premiered as a welcome alternative for filmgoers that had already caught up with Robert Downey Jr.'s iron-clad superhero, entering the U.K. with a $1.2 million opening weekend. Olympus Has Fallen was the strongest hold-over of the weekend, dropping 26% and still netting $1 million to see its market total increase to $7.9 million. Pedro Almodovar's new film, I'm So Excited, had a strong opening weekend after averaging $5,566 in only 87 theaters. Almodovar's latest is the only film in this week's top ten to have played in less than 200 screens. I'm So Excited outperformed the premiere of Dead Man Down despite the fact it played in nearly 75% less locations. 

Box office results for the United Kingdom. May 3-5, 2013.

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Follow Daniel Loria and BoxOffice on Twitter for more on the global box office.

SPAIN: ‘Iron Man 3’ Triumphs Against ‘Scary Movie 5’ and ‘Big Wedding’ Premieres on May 08, 2013

Iron-Man-3-Stills-iron-man-33278597-500-301.jpgIron Man 3 flew past two new releases at the Spanish box office last weekend. The superhero film grossed $4.9 million, easily retaining the top spot at the box office. The new releases beat Robert Downey Jr.'s iron-suited alter ego, however, at least where per-screen average is concerned. Scary Movie 5 posted a $3,484 average across 245 screens, while The Big Wedding averaged $2,610 in 305 locations. The spring weather seems to have put a lasting damp on the Spanish box office, with all hold-overs behind Tom Cruise's Oblivion, in fourth place with a $7.2 million cume, posting per-screen averages below the $1,000 mark. 

Box office results for Spain. May 3-5, 2013.

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Follow Daniel Loria and BoxOffice on Twitter for more news on the global box office. 

ERBP FILM'S “UPSTREAM COLOR” TO BE RELEASED THROUGH CINEDIGM ON CABLE VOD, DIGITAL, AND DVD/BLU-RAY ON MAY 7th on May 08, 2013

May 7, 2013 - New York, New York - One of the year's most talked about independent films since its award-winning premiere at the 2013 Sundance Film Festival, UPSTREAM COLOR is director Shane Carruth's much anticipated follow-up to his 2004 award-winning cult classic, Primer.

On the heels of a very successful theatrical run that started on April 5th, where the film played to rave reviews and is currently expanding in theaters, erbp Film's UPSTREAM COLOR will be released on cable VOD, digital and DVD/Blu-ray on May 7th through Cinedigm (NASDAQ:CIDM). Prior to the theatrical opening, the film had a strong festival run, in addition to Sundance, at the Berlin International Film Festival, SXSW, and Film Society of Lincoln Center's New Directors/New Films series.

In UPSTREAM COLOR, a man and woman (Shane Carruth and Amy Seimetz) are drawn together, entangled in the lifecycle of an ageless organism. Identity becomes an illusion as they struggle to assemble the loose fragments of wrecked lives.
The film won the Special Jury Prize for Sound Design at the 2013 Sundance Film Festival and was also nominated for the Grand Jury Prize.Carruth's first film, Primer, won the Grand Jury Prize in 2004.

In an interview with IndieWire, Carruth said about the film: "I was worried that everything would descend into minutiae about the plot. Overall, I'm very pleasantly surprised that people seem to be keying into the fact that that's not the way into this film."

UPSTREAM COLOR stars Amy Siemetz, Shane Carruth, Andrew Sensenig (I Love you Phillip Morris, W) and Thiago Martins. The film is written, directed, produced and edited by Carruth, who also composed the original score, and is produced by Casey Gooden, Ben LeClair and Meredith Burke.

 


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