HOLLYWOOD, CA -- The Will Rogers Motion Picture Pioneers Foundation will present its 2012 "Pioneer of the Year" Award to Jeffrey Katzenberg, CEO of DreamWorks Animation SKG, Inc. (Nasdaq: DWA), it was announced by Ted Cooper, President of the industry's foremost charitable organization. Katzenberg will be honored on Wednesday, April 25, 2012 at CinemaCon, the industry's largest and most important gathering of cinema owners and operators from around the world. CinemaCon 2012 will be held at Caesars Palace in Las Vegas.
"We are honored in our own right to be able to single out someone like Jeffrey Katzenberg," noted Ted Cooper. "When it comes to passion for our industry and compassion for those in our industry who need help, Jeffrey has no equals. He is most deserving of this prestigious accolade. As well we thank our friends at NATO for their continued support as we could not imagine a better forum at which to honor Jeffrey than at CinemaCon 2012."
"We are thrilled to support the Will Rogers Motion Picture Pioneers Foundation and the presentation of its annual ‘Pioneer of the Year' Award" at CinemaCon 2012", said Mitch Neuhauser, Managing Director. "Having such a time honored tradition be a part of our first endeavor this past March was a true convention highlight and knowing NATO and its members are there to lend a helping hand to this great organization is so meaningful to us all. We are already looking forward to the 2012 "Pioneer Dinner" in honor of our good friend Jeffrey Katzenberg".
Jeffrey Katzenberg started his career in the entertainment industry as assistant to Barry Diller, the Chairman of Paramount Pictures. He was assigned and able to revive the "Star Trek" franchise and during his tenure became President of Production. Katzenberg then moved to Walt Disney Pictures and was in charge of turning around the ailing animation studio. Under his management, the company created some of Disney's most critically acclaimed and highest grossing features including "The Little Mermaid" and "The Lion King." In addition, he brokered a deal that secured a partnership with Pixar Studios and one that brought Miramax Films into Disney.
What Katzenberg may best be known for though is joining forces with Steven Spielberg and David Geffen to create DreamWorks Studios. Among its many successes in film, animation and television were "American Beauty," Gladiator," "A Beautiful Mind," as well as the DreamWorks Animation franchises of "Shrek," "Madagascar," "Kung Fu Panda," and "How to Train Your Dragon.
Jeffrey is also well known for his many charitable and humanitarian acts. In 2010, he received the Humanity Award from the USC Shoah Institute. He is Chairman of the Motion Picture and Television Fund Foundation (MPTVFF) and host to one of the largest fundraisers in the entertainment industry (benefitting MPTVFF), called The Night Before, which is known as THE party to attend in conjunction with the Academy Awards. Over $30 million has been raised to benefit the MPTFF, in recent years. Katzenberg also devotes significant energy and resources to the Marilyn and Jeffrey Katzenberg Foundation and recently donated $1.25 million to Boston University's College of General Studies.
The Pioneer of the Year honors leaders of the motion picture industry and within the philanthropic community. Past honorees include Cecil B. DeMille, Jack Warner, Darryl F. Zanuck, Frank G. Mancuso, Jack Valenti, Terry Semel, Sumner Redstone, Sherry Lansing, Alan Horn, Jeff Blake, Mike Campbell, Marc Shmuger, David Linde, Rob Moore and in 2011, Dick Cook. Proceeds from the event go to the Motion Picture Pioneers Assistance Fund (MPPAF), an industry charity that helps movie industry veterans who are encountering an illness, injury or life-changing event.
The MPPAF is owned and operated by the Will Rogers Motion Picture Pioneers Foundation. For more information about the Pioneer of the Year Dinner or the Will Rogers Motion Picture Pioneers Foundation, please call (888) 994-3863 or visit www.wrpioneers.org.
Los Angeles, CA -- Boldly moving into the untapped market for student films, the new online film competition, SeeFlik (www.seeflik.com) is poised to become an essential destination for emerging filmmakers and innovative storytellers to showcase their productions and participate in the film festival. Taking place entirely online, SeeFlik will offer two concurrent short film competitions (Judges Award & Fans Favorite) initially two times a year that are exclusive to students who attend or are within five years of graduation from accredited undergraduate or graduate film programs.
SeeFlik CEO, Larry Meli said, "Tens of thousands of emerging artists and filmmakers graduate from college each year and have few options other than the traditional film festivals to have their voices heard. Now, for the first time, SeeFlik will provide an online showcase and film festival for their work and give them an opportunity to fast forward their careers and become the next great filmmaker. SeeFlik will become the ‘farm system' for the entertainment industry and we are proud to be able to assist these great talented, and as of yet unrecognized artists."
Short films in consideration for the exclusive Judges Award are determined by SeeFlik's panel of esteemed judges including Michael London (Sideways), Shane Black (Lethal Weapon), Angelo Pizzo (Hoosiers), Keir Pearson (Hotel Rwanda), Robert Kamen (Karate Kid) and Suzanne de Passe (Lonesome Dove).
The Fans Favorite competition will use American Idol type voting where the winning short film is determined by the most votes received. Viewers can vote in each round for their favorite film and filmmakers can urge their friends and family to support their quest for a Fans Favorite Award.
In addition to $50,000 in prize money and a winner's showcase for talent agencies and studios, what separates SeeFlik from similar ventures is the company's association with film schools that streamline connecting their students and alumni to SeeFlik. Various marketing and promotional initiatives including in-class, social media and email marketing as well as widely distributed traditional marketing materials will be used.
SeeFlik's David Greenblatt said, "SeeFlik puts in one place a great forum for emerging filmmakers to be discovered. Before SeeFlik it took much effort to get a film shown to an industry audience. Now with SeeFlik there is a unique showcase providing easy access for talent to have their work seen by buyers and sellers."
Friends of SeeFlik include American University - School of Communication, Arizona State University - Herberger Institute for Design and the Arts, School of Theatre and Film, California State University, Fullerton - College of Communications, Chapman University - Lawrence and Kristina Dodge College of Film and Media Arts, Columbia College Chicago, Eastern Kentucky University, Florida State University-College of Motion Picture Arts, Loyola Marymount University - School of Film and Television, New York University - Tisch School of the Arts, Pepperdine University - Center for Entertainment, Media, and Culture, San Francisco State University-Cinema Department, Savannah College of Art and Design, Syracuse University - S.I. Newhouse School of Public Communications, UCLA School of Theater, Film and Television, University of Kentucky - College of Arts and Sciences, University of Miami- Motion Picture Program, University of Southern California - School of Cinematic Arts, University of Texas at Austin - College of Communication, York University- Department of Film.
While the competitions are not limited to students and alumni from affiliated schools, SeeFlik will be expanding their network of film schools and is in advanced negotiations with more colleges and universities to create similar relationships to the ones that currently exist.
SeeFlik's executive team is led by Meli, who is a longtime cable and television executive and producer and will oversee all aspects of the company, specifically expanding the list of affiliated film schools and strategic industry relationships. The company is launching with operating capital of just over $1,000,000, which was funded by Wall Street executives Adam Wachter and Jeff Parket who serve as Chief Operating Officer and Chief Financial Officer respectively and other investors. Wachter oversees all aspects of the company's website, marketing, sales and business development and Parket handles financial, legal and investor relations. Rounding out the team is long time agent, David Greenblatt who co-founded Endeavor and whose clients have included James Cameron, Aaron Sorkin and David Lynch. With SeeFlik, Greenblatt will serve as an advisor to contest winners and mentor them through the process of meeting agents, managers and studio executives in Hollywood.
Important dates relating to deadlines for submissions can be found at http://www.seeflik.com/official-competition-rules
By Phil Contrino
20th Century Fox decided to show sneak previews of We Bought a Zoo this past weekend at approximately 800 locations in order to help it stand out among the rush of Christmas releases. The question is: Did they work?
"They worked out as well as we could have hoped for," Chris Aronson, Fox's senior vice president of distribution tells Boxoffice. "We had sellouts in markets from New York to LA, Minneapolis to Memphis, Salt Lake City to Boston, Detroit to Orlando, Philly to Kansas City. Reactions were fantastic/through the roof with laughter and tears being commonplace with the multi-generational audience, both family and non-family alike"
We Bought a Zoo had a solid weekend on Twitter. Cameron Crowe's latest inspired 3,067 tweets from Friday to Sunday, 2,084 of which happened on Sunday. The positive:negative ratio for the tweets came in at an average of 5:1 for all three days—a respectable response.
Facebook activity leaves something to be desired. The drama's official page added only 2,251 new likes over the weekend for a total of 5,338 as of Sunday night. Fox is wisely posting fan reviews from tout.com on Facebook in order to inspire people to send their friends to the page.
Even if the online buzz isn't exactly overwhelming for We Bought a Zoo, Fox's decision surely gives the film a much-needed advantage over the competition. Opening on December 23 means that Zoo will have to compete with three other family-skewing flicks: Alvin and the Chipmunks: Chipwrecked (due on 12.16 from Fox), The Adventures of Tintin (due on 12.21) and War Horse (due on 12.25). A crowded multiplex often means that at least one film will disappoint—the sneak may help Zoo avoid becoming that film.
"Sneaks continue to work as a great way to provide word of mouth recommendations and awareness," says Jeremy Devine, director of marketing for Rave Motion Pictures. "With everyone being barraged by advertising, one on one feedback amongst friends is an impactful seller."
LOS ANGELES -- Paramount Pictures announced today it is offering the entire Mission: Impossible movie catalogue including Mission: Impossible, Mission: Impossible II and Mission: Impossible III available for rent directly through the Mission: Impossible Facebook Page. Fans of the franchise can also play the new social spy game Mission: Impossible the Game (https://apps.facebook.com/mission-impossible), the first 200 players to locate a hidden Easter Egg in the game will receive a code for a rental of one of the Mission: Impossible movies on the movie's Facebook page.*
Millions of people that Like the Mission: Impossible Page can easily rent and enjoy the entire collection of Mission: Impossible movies directly through Facebook using Facebook Credits at https://www.facebook.com/missionimpossiblemovie. Consumers simply click the 'Rent Movies' link on the Mission: Impossible Facebook Page and choose among three Mission: Impossible movie apps to seamlessly rent, watch and enjoy the action packed adventures of IMF operative Ethan Hunt.
"Over the past decade movie fans have followed the impossible exploits of Ethan Hunt and his team of IMF operatives," said Amy Reinhard, Executive Vice President and General Manager of Domestic Home Media Distribution for Paramount Pictures. "Now fans of Mission: Impossible on Facebook who are eagerly awaiting the release of Mission: Impossible - Ghost Protocol have a chance to relive and share the adventures."
Mission: Impossible movies can be rented individually using Facebook Credits and viewed for up to 48 hours. While watching through Facebook, consumers will have full control over their movie viewing experience and can watch in full screen, pause the movie, leave Facebook and resume playing when logged back in.
Mission: Impossible, Mission: Impossible II and Mission: Impossible III can each be purchased for 30 Facebook Credits ($2.99). This offering is currently only available to consumers in the United States. The Mission: Impossible movies are rated PG 13.
Facebook® is a registered trademark of Facebook Inc.
*Full details and restrictions concerning promotions will be available on the game application.
Monday Update: Summit reports that The Twilight Saga: Breaking Dawn - Part I raked in $150.1 million internationally over the weekend from 54 markets and 9,950 locations. The international cume is $152.9 million including previews. Breaking Dawn - Part I's worldwide total is now a staggering $291 million.
Monday Update: Summit reports that The Twilight Saga: Breaking Dawn - Part I's actual domestic gross came in at $138.1 million this past weekend. The estimate reported on Sunday was $139.5 million.
Sunday Update #2: Summit reports that The Twilight Saga: Breaking Dawn - Part I will hit a staggering worldwide total of $283.5 million this weekend. Here's the official international breakdown from Summit:
THE TWILIGHT SAGA has garnered over $1 billion in International to date. TWILIGHT has grossed ~$200M, NEW MOON more than doubled its predecessor with ~$416M, and ECLIPSE is just shy of crossing the $400M mark
BREAKING DAWN: PART 1 arrived day-n-date with North America in 54 markets, with an impressive $144M+ (estimated) from roughly 9950 dates. Here are some highlights:
AUSTRALIA - Nov 17
Breaking Dawn Part 1 had a fantastic NO. 1 opening day garnering A$3,669,229 (~$3.69M USD) on 616 screens.
The opening day is the Second Biggest opening day for 2011.
NO. 1 was 1 Harry Potter 7 Part 2 ($7.092mAU/~$7.5MUSD)
NO. 3 was Transformers 3 ($2.640m/(~$2.67M USD)).
Cume to date is an estimate ~$12M AUD (~12.15M USD)
The 12th Best Opening of All Time
NO. 10 Harry Potter 7 Part 1($4,047m/(~$3.95M USD))
NO. 11 Star Wars Revenge of the Sith ($3.55m/(~$2.7M USD* (f/x @of release)).
NO. 1 - Cume to date: ~$12.15M
Breaking Dawn: Part 1 collected an estimated 1.746M admissions, for a box office of ~10.65M Euro (~$14.5M USD), outperforming ECLIPSE's opening weekend cume of 1.633M admissions.
It is the 4th highest opening result for this year in France, behind HARRY POTTER, TINTIN and RIEN A DECLARER (a local comedy) and ahead of TRANSFORMERS 3 and PIRATES OF THE CARIBBEAN
Cume to date: ~$14.5M
SPAIN - Nov 18
Breaking Dawn Part 1 had a fantastic NO. 1 opening day, garnering ~3.1M EURO (~$3.69M USD) from 405. Opening weekend cume is an estimated 8.6M EURO (~$11.6M) including previews
BD1's opening day cume accounted for 74% of the box office in Spain
Biggest opening day for 2011 - Ahead of TORRENTE & TINTIN (both 3D films) and POTTER
Should be the Best Friday Opening of All Time, ousting PIRATES 3 (2.917M Euro) and DA VINCI CODE (2.447M Euro)
Best opening weekend of the Franchise ousting NEW MOON (8.04M EURO)
3rd biggest weekend cume behind PIRATES: AT WORLDS END (8.9M EURO) and DA VINCI CODE (8.78M EURO) and could move up to NO.1 once the final count is in.
Cume to date: ~$11.6M
UK - Nov 18
THE TWILIGHT SAGA: BREAKING DAWN - PART 1 released Friday in the UK with a stellar 6.3M GBP ($9.9M). The 3 days cume is ~14M GBP (~$22M USD)
The 5th highest 3 day gross of all time behind 3 POTTERS and JAMES BOND
The Highest 3 day gross for an American film
The biggest TWILIGHT opening so far
The highest daily gross result yet for the franchise - BD1 topped the previous highest day for the franchise, which was the opening Friday of NEW MOON at 4.7M GBP.
Our opening Friday with the penultimate TWILIGHT has bettered the opening Friday for the penultimate POTTER, which grossed 5.9M GBP, and was before yesterday the 2nd highest opening Friday ever. Only the final episode of POTTER has scored a bigger opening Friday in the UK.
NO. 1 - Cume to date: ~$22M
Breaking Dawn Part 1 bowed at No. 1 in Italy with an impressive opening day of 4.1M Euros ($5.5M) .To date THE TWILIGHT SAGA: BREAKING DAWN - PART 1 has grossed an estimated 9.05M EURO (~$12M USD) from 805 screens and is the undisputed NO. 1 film in the market, way ahead of the No. 2 film.
NO. 1 - Cume to date: ~$12M
Breaking Dawn Part 1 had an impressive weekend in Russia. Estimated weekend gross of $15M is way above NEW MOON and on par with ECLIPSE.
NO. 1 - Cume to date: ~$15M
LATIN AMERICA - BRAZIL
Early estimates have the opening weekend of THE TWILIGHT SAGA: BREAKING DAWN - PART 1 in Brazil at an excellent $10.2M This is a very impressive start that easily bests NEW MOON'S three-day opening tally of $7.8M and even nears ECLIPSE'S five-day summer weekend tally of $10.5M. When comparing local currencies, BD1's weekend result is on par with ECLIPSE'S opening and once all numbers are accounted for we may see BREAKING DAWN - PART 1 as the more successful film in the franchise thus far.
Opening weekend tops opening weekend results of HP: DEATHLY HALLOWS - PART 1 ($7M), PIRATES 4 ($8.2M), and TRANSFORMERS 3 ($5.8M).
NO. 1 - Cume to date: ~$10.2M
LATIN AMERICA - MEXICO
Opening in Mexico to an impressive $8.1M, THE TWILIGHT SAGA: BREAKING DAWN - PART 1 topped NEW MOON'S opening weekend ($7.7M), but is still slightly behind ECLIPSE'S opening frame ($9.3) which benefitted from summer holidays.
Tops first weekend results of HP: DEATHLY HALLOWS - PART 1 ($7.5M) and FAST 5 ($7M).
NO. 1 - Cume to date: ~$8.1M
THE TWILIGHT SAGA: BREAKING DAWN - PART 1 had an amazing first day collecting an estimated 41.2M PHP ($948K), including midnight showings. Cume to date is an estimated $2.9M USD
It's the highest Friday gross ever for the market
This surpasses NEW MOON'S Friday opening result of 35M PHP
NO. 1 - Cume to date: ~$2.9M
Scandinavian markets continue to impress. After a strong start with cumulative Day 1 + previews/midnight results topping the franchise, THE TWILIGHT SAGA: BREAKING DAWN - PART 1 dipped on Thursday only to rebound on Friday with the highest first Friday results of the franchise ($750k). Cume to date is approx.
The Best TWILIGHT opening
The 2nd Best Opening weekend of 2011, behind PIRATES OF THE CARIBBEAN: STRANGER TIDES
NO. 1 - Cume-to-date: $3.3M
Denmark proved to be yet another impressive Scandinavian market. With an opening weekend estimate of $2M (including previews) BREAKING DAWN'S first frame easily bests that of ECLIPSE, which $1.6M. Overall, this is the year's second best opening result so far.
NO. 1 - Cume-to-date: $2M
Breaking Dawn Part 1 opened with €163,672 (~$222KUSD) from 33,702 admissions off 90 screens.
This is the second best opening of the year, behind HARRY POTTER 7 Part 2 and has performed better than PIRATES 4 and TINTIN.
NO. 1 - Cume to date: ~$1.25M
Breaking Dawn Part 1 had an amazing NO. 1 Opening Day grossing NZ$709,971 (~$542K USD), at 65 locations.
This is the second biggest opening of 2011 behind
NO. 1 Harry Potter 7 Part 2 ($940k) (~$27K USD),
NO. 3 Transformers 3 ($364k) (~$27K USD).
Cume to date is approx. $1.5M USD
NO. 1 - Cume to date: ~$1.5M
Breaking Dawn Part 1 opened at #1 in The Netherlands, leaving Tintin 3D and Immortals 3D far behind It collected 30.297 admissions and a box office of € 232.937 (~$315K USD) from 103 screens.
NO. 1 - Cume to date: ~$1.5K
NO. 1 - Cume to date: ~$2.9M
Amazing opening : Breaking Dawn Part 1 opened at #1 in The UAE
NO.1 Opening in 2011 ahead of HARRY POTTER 8, TRANSFORMERS 3, PIRATES and TINTIN
NO. 1 - Cume to date: ~$1M
Sunday Update: Summit reports that The Twilight Saga: Breaking Dawn - Part I will bring in $139.5 million this weekend. That falls shy of the previous franchise record: New Moon's $142.8 million debut.
Saturday Update: Summit reports that The Twilight Saga: Breaking Dawn - Part I managed $72 million during its first day of domestic release. That figure includes the $30.25 million from midnight shows. Summit's cash cow is now on pace for $140 million this weekend.
The first-day gross falls short of New Moon's $72.7 million haul, but it does top Eclipse's $68.5 million tally.
Friday Update: Breaking Dawn - Part I has barely set a new franchise record for midnight grosses. The midnight haul for Summit's latest cash cow is $30.25 million from 3,251 locations. That's only a quarter million more than Eclipse's $30 million midnight debut.
Harry Potter and the Deathly Hallows: Part II still holds the midnight record with $43.5 million.