Kansas City, Mo. - AMC Entertainment Inc. (AMC), a leading theatrical exhibition and entertainment company, announces the hiring of its first senior-level food and beverage executive outside the exhibition industry to steer the company's strategic and operational functions in that arena. George Patterson, senior vice president of food and beverage, will lead the team's efforts to expand AMC's concessions offerings from the company's headquarters in Kansas City, Mo.

"We are pleased to have George join the AMC leadership team," said John McDonald, executive vice president, U.S. operations at AMC. "His experience with the restaurant industry greatly complements our plans for expansion and enhancement of the food and beverage options we offer our guests."

As director of brand asset strategy and multibrand execution for the KFC division at YUM! Brands, Patterson standardized systems and concepts across all company and franchised restaurants and determined the optimal use of KFC assets. Previously, he served as an executive at Cool Mountain Creamery & Café, a company he co-founded, and at Wendy's International and Burger King Corporation.

"I look forward to continuing the innovative work AMC has recently launched in the areas of in-theatre dining and 'grab-and-go' concessions. I'm also excited to deliver on the company's commitment to bringing more diverse and healthy food and drink options, in addition to 'better-for-you' offerings, to its guests," said Patterson.

Patterson will report directly to John McDonald, AMC's executive vice president of U.S. operations, and he will manage the associates who lead the company's food and beverage team.

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MORRISTOWN, N.J. - Cinedigm Digital Cinema Corp. (NASDAQ: CIDM) and Vista Entertainment Solutions, Inc. announced today an agreement for Vista and its network of business partners to exclusively distribute and support Cinedigm's Theatre Command Center software in certain major international territories.

Cinedigm is the global leader in digital cinema. The company's Theatre Command Center software is the most widely used theatre management system in the world for operating digitally-enabled movie theatres. The system has been operating on thousands of screens since 2005 and has supported more than 15 million showings.

Digital cinema and Cinedigm's Theatre Command Center greatly simplify the process of managing theatrical entertainment, saving exhibitors significant time and money and enabling a wider variety of content for the consumer.

Cinedigm's latest Windows-based operating system is designed to fully automate digital cinema-equipped theatre operations and enable more efficient circuit-wide management of content, schedules, systems, data and resources.

New Zealand-based Vista Entertainment Solutions is a leader in worldwide cinema Point-of-Sale and circuit management software, with offices and business partners in the U.S., Europe and Asia.

"We have worked closely with Vista and its worldwide business partners for several years. Like Cinedigm, they are innovators in cinema technology and services and we are very excited to be working together in providing solutions that will define the future of cinema," said Jim Miller, president of Cinedigm's Software division.

Murray Holdaway, CEO of Vista said, "Digital Cinema is gaining traction around the world and Cinedigm's Theatre Command Center is an important technological advancement in the management of Digital Cinema Projection. Vista is pleased to be working with Cinedigm to offer customers not only world leading Cinema Management Systems but also the latest in Digital Cinema Management Technology."

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This upcoming weekend we again have two new wide release openers in Dear John and From Paris With Love. Once again Avatar will almost certainly remain king, but its just a matter of seeing how much of the scraps these two can pick up.

Dear John had a hugely impressive 2,599 tweets last week. That's good enough for the 6th highest pre-release week tally since last September. Its core demographic will be women, spanning from teens through to 35 which will no doubt give it a very high ratio, but still, these numbers are impressive. It would appear as though high teens or more are in order here.

From Paris With Love had 1,061 tweets reference it last week on Twitter. In terms of comparisons, Surrogates had 810 tweets its week before release, Armored had 322, and Book of Eli had 1,422. As of right now its looking like low to mid teens similar to Surrogates. A lot will depend on how it holds up during the week but we should expect a ratio in the range of 500-700.

Check back Monday night for analysis of the Monday tweet totals.

Twitter tracking history. (For 2009's ratio history please check here.)

alltweets012910.jpgThe ratio is the number of tweets per $1 million of Friday Box Office gross. A film with 1,000 tweets and a $10 million Friday would therefore have a ratio of 100. In general, films that appeal to very young or older audiences have lower ratios since those audiences are not big users of Twitter. By comparison, films that appeal to younger audiences (18-35) have much higher ratios since those audiences are much more active users of Twitter.

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Edge of Darkness opened to a solid, yet underwhelming $5.65 million on Friday, somewhat below my predicted $8.5 million. Its weekend ratio came in at 725 which was above what I had envisioned, but still within the range of some of the comparisons drawn this week (Surrogates had a 609 ratio, and Men Who Stare At Goats had 706). I thought it would have performed much more like Law Abiding Citizen and Armored (they both had a 431 ratio) but in retrospect its slowdown from Wednesday to Thursday was not a great sign for the genre.

upcoming012910.jpgWhen In Rome came in with a solid $4.375 million Friday. This was slightly below my predicted $3.5 million. Its ratio of 451 was actually right in line with Leap Year's 423 but I had thought it would have skewed quite a bit younger, but as it turns out they were quite similar, at least according to Twitter.

Check back tomorrow for a preview of the upcoming weekend's wide release films: Dear John, and From Paris With Love.

Twitter tracking history. (For 2009's ratio history please check here.)

alltweets012910.jpgThe ratio is the number of tweets per $1 million of Friday Box Office gross. A film with 1,000 tweets and a $10 million Friday would therefore have a ratio of 100. In general, films that appeal to very young or older audiences have lower ratios since those audiences are not big users of Twitter. By comparison, films that appeal to younger audiences (18-35) have much higher ratios since those audiences are much more active users of Twitter.

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Total tweets for January 29th Openers

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Edge of Darkness was once again very solid on Thursday, bringing in 1,432 tweets, up from Wednesday's 1,291. This gave it 4,101 tweets for the full Monday to Thursday period. By comparison, Law Abiding Citizen had 1,207 tweets on its Thursday before release, and 3,229 for the whole week. It had $7.5 million in receipts from 2,889 theaters for its first Friday for a Twitter ratio of 431. Surrogates had 1,418 on its Thursday and 3,062 for the full week. It managed $5.02 million on its first Friday from 2,951 theaters for a ratio of 609. Lastly, Armored had 453 tweets on its Thursday of release and 1,034 for the full week. Its $2.4 million Friday from 1,915 theaters gave it a ratio of 431. Expect a solid ~500 ratio here and $8.5 million from its Friday receipts and $23.5 million on the weekend.

When in Rome grew to 796 tweets on Thursday, up from Wednesday's 595. That gave it 1,971 tweets for the full Monday to Thursday period. For comparisons I'll stick to Leap Year, though I do think the ratio here will be higher since it appeals and is being pushed to an even younger audience. Leap Year had 505 tweets on its Thursday before release, and 1,401 for the whole week. It managed $3.32 million on its first Friday from 2,511 theaters for a Twitter ratio of 423. For When in Rome I'm going to go with a ~575 ratio estimate and a final prediction of a $3.50 million Friday and $9.5 million over the weekend.

Check back Saturday to see Friday's numbers and the actual Twitter ratios for the weekend.

Twitter tracking history. (For 2009's ratio history please check here.)

alltweets012210.jpgThe ratio is the number of tweets per $1 million of Friday Box Office gross. A film with 1,000 tweets and a $10 million Friday would therefore have a ratio of 100. In general, films that appeal to very young or older audiences have lower ratios since those audiences are not big users of Twitter. By comparison, films that appeal to younger audiences (18-35) have much higher ratios since those audiences are much more active users of Twitter.

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