Source: Variety

After recently hitting $1 billion domestically, Paramount has now hit that mark internationally. Shrek Forever After's $42.6 million weekend helped the studio reach that plateau.

Iron Man 2 is the biggest international earner with $305 million.

The Last Airbender looks to help Paramount build on that considerably, since its bound to be an even bigger film internationally than it is domestically.

 

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On August 27, Avatar will return to movie theaters across the country.

The official release from 20th Century Fox:

LOS ANGELES  -- Twentieth Century Fox and James Cameron today announced that Avatar: Special Edition will be released in theaters August 27, in a limited engagement and exclusively in Digital 3D and IMAX 3D.

This version of Cameron's history-making and groundbreaking epic will include more than eight minutes of new footage. Since - and largely as of result of -- Avatar's release last December, the number of available digital 3D screens has exploded, and moviegoers who missed experiencing the film in 3D will now have that opportunity.

Commented James Cameron: "Audiences repeatedly told me they wanted more of Pandora, and wished they could have stayed there longer. So we're making that possible. Avatar: Special Edition will be exclusively in 3D, and will have eight minutes of never before seen footage, including new creatures and action scenes. Whether you already love the movie, or you've never seen it, with this Special Edition, you'll be seeing it like never before."

Commented Fox Filmed Entertainment chairmen and CEOs, Jim Gianopulos and Tom Rothman: "Avatar: Special Edition is especially gratifying, because not only has AVATAR become one of the most beloved films in history, but after its initial theatrical release, we have been inundated with requests to re-release the film in theaters in 3D. Equally important, we're thrilled that Jim Cameron is able to give audiences even more of what they loved about Avatar."

The Oscar and Golden Globe winning epic is the highest grossing film of all time, taking in over $2.7 billion in worldwide box office. It is also the top-selling Blu-ray disc of all time.

Click here for international release dates.

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Los Angeles, CA -- SmartJog, the global leader in managed digital delivery services, announced today that it has signed an agreement with Deluxe Digital London, a major content distributor in Europe. Deluxe Digital London will service its clients using SmartJog's Pan-European digital cinema network for the delivery of digital cinema packages (DCPs) to theatres in Europe.

"We are very pleased to have signed an agreement with SmartJog. Our historical relationship with SmartJog and our common clients make this a logical step forward in our relationship. Deluxe is committed to providing the best services for its clients and we feel that this agreement will enable us to pass on the benefit of digital distribution to them," said Peter Wright, Managing Director of Deluxe Digital London.

In addition to being able to send DCPs directly from its London premises electronically, Deluxe Digital London and SmartJog will "handshake" their operating systems to create a fully integrated platform, enabling such features as live web-based tracking of transfers and online notifications for their common clients.

"This is a natural extension to our current business relationship with Deluxe and we look forward to servicing their digital cinema distribution needs. Using our secured dedicated network, SmartJog optimizes and simplifies DCP distribution logistics, which will allow Deluxe Digital London to service clients in a secure, cost-effective, and reliable way," said Thomas Bremond, COO at SmartJog.

Deluxe has been using SmartJog for over 5 years to distribute a diverse range of content internationally. Currently, SmartJog is deployed in 11 of their facilities around the world including in Rome, Barcelona, Los Angeles, New York, Toronto, and London.

The SmartJog service provides digital cinema clients with a state-of-the-art file transfer network via satellite, which includes network monitoring, workflow management tools, and cloud-storage solutions. The solution enables clients to send to any connected facility, including digital cinema mastering facilities, distributors, service providers and theatres.

SmartJog currently has approximately 200 cinemas and more than 850 screens connected to its network in Europe and has delivered over 100 feature films to theaters since the start of its digital cinema operations.

 

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Beverly Hills, CA -- A trio of Oscar® recipients - director Kathryn Bigelow, film editor Anne Coates and documentarian Michael Moore - make up the year's first-time electees to Academy of Motion Picture Arts and Sciences' Board of Governors. Coates received her award for the editing of "Lawrence of Arabia," Moore won in the Documentary Feature category for "Bowling from Columbine," and Bigelow received Oscars® this year in the Directing category and as one of the producers of "The Hurt Locker." In addition, nine incumbents were reelected and three other filmmakers will return to the Board after a time away.

The reelected governors are Curt Behlmer, Sound Branch; Rosemary Brandenburg, Art Directors; Richard Edlund, Visual Effects; Leonard Engelman, Makeup Artists and Hairstylists; Charles Fox, Music; Jim Gianopulos, Executives; Hawk Koch, Producers; Marvin Levy, Public Relations; and Frank Pierson, Writers.

Returning to the board after a hiatus are John Bailey, Cinematographers; Ed Begley, Jr., Actors; and Jon Bloom, Short Films and Feature Animation. Bailey previously served on the board from 1996 to 2002; Begley and Bloom both were governors from 2000 to 2009.

Fourteen of the Academy's 15 branches are represented by three governors, who may serve up to three consecutive three-year terms. Terms are staggered so that each branch elects or reelects one governor each year. The Makeup Artists and Hairstylists Branch is represented by a single governor.

Governors who were not up for reelection and who continue on the Board are Annette Bening and Tom Hanks, Actors Branch; Jim Bissell and Jeffrey Kurland, Art Directors; Caleb Deschanel and Owen Roizman, Cinematographers; Martha Coolidge and Edward Zwick, Directors; Rob Epstein and Lynne Littman, Documentary; Robert Rehme and Tom Sherak, Executives; Donn Cambern and Mark Goldblatt, Film Editors; Bruce Broughton and Arthur Hamilton, Music; Mark Johnson and Kathleen Kennedy, Producers; Robert G. Friedman and Sid Ganis, Public Relations; Bill Kroyer and John Lasseter, Short Films and Feature Animation; Don Hall and Kevin O'Connell, Sound; Craig Barron and Bill Taylor, Visual Effects; and James L. Brooks and Phil Robinson, Writers.

 

 

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