Toronto, ON -- Rolling Stones fans across the country will get ultimate satisfaction for one night as this legendary multi-platinum band takes fans back to the summer tour that skyrocketed their careers with Ladies & Gentlemen... The Rolling Stones. This historic big screen event features classic Stones performances from the 1972 tour and a special, theatre-only segment from Mick Jagger. Together with Jagger, Stones greats Keith Richards, Mick Taylor, Bill Wyman and Charlie Watts take fans inside life on the road during that magical summer when they rocked millions of fans in sold-out venues around the world. For the first time in over 30 years, legendary concert footage from the tour will be unveiled by the band for their fans in select Cineplex theatres across Canada on Thursday, September 16 at 7:00 p.m. local time.

Tickets for Ladies & Gentlemen... The Rolling Stones are on sale now at participating box offices and online here. For a complete list of theatre locations, please visit the website.

Presented by Cineplex Entertainment's Front Row Centre Events and Eagle Rock Entertainment, this one-night-only event will feature the Stones in a career defining concert, testing the very limits of their own musical power. The footage was captured at four shows in Fort Worth and Houston, Texas on their 1972 North American tour promoting the "Exile on Main Street" album. The music played on that spectacular tour included what would later be known as some of the band's greatest all-time hits such as "Tumbling Dice," "Brown Sugar," "You Can't Always Get What You Want" and "Jumpin' Jack Flash."

"It's a full on performance and energy levels are really high...everyone's very together and on," said Jagger.

Richards agreed with Jagger and recalled, "I knew that ‘Tumbling Dice' was a killer live."

Ladies & Gentlemen... The Rolling Stones was originally filmed in 1972 in 16mm by Bob Freeze and Steve Gebhardt of John Lennon's Butterfly Films and has been restored and re-mastered from vintage footage. Movie theatre audiences will get a one-time opportunity to flashback and be next to the stage during these historic concerts.

"Ladies & Gentlemen...The Rolling Stones offers fans a rare opportunity to experience history," said Pat Marshall, Vice President, Communications and Investor Relations, Cineplex Entertainment. "On the big screen, enhanced by our superb digital surround sound systems, is the only way to experience a Stones concert."

Ladies & Gentlemen... The Rolling Stones will appear in more than 70 select Cineplex Entertainment theatres across Canada.

 

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Source: THR

Dwayne Johnson will star alongside Josh Hutcherson in Journey 2: The Mysterious Island, a sequel to 2008's Journey to the Center of the Earth. Brendan Fraser will not be reprising his role from the original film.

Journey to the Center of the Earth was able to rake in more than $230 million worldwide, so it's no surprise that Warner Bros. wants to move forward with a sequel.

Johnson will next be seen in Faster, which CBS Films will open on November 24.

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DALLAS, TX --The Oak Cliff Foundation has officially handed the keys to the historic Texas Theatre over to Aviation Cinemas, Inc., a newly formed movie theatre company with the expressed goal of renovating the theatre by installing a 35mm changeover system, tweaking the existing digital projection system to meet I-Cinema compliance, and installing a new adjustable 40 foot screen. This will allow the theatre to screen movies of various exhibition formats, utilizing state of the art equipment. The large screen will be moveable to allow for other kinds of entertainment including plays and concerts. The old school style film changeover system will allow the Texas to screen repertory film prints that would not normally be allowed to be spliced together on a platter. Additional exhibition for small format films and filmmaking will be supported by the addition of 16mm and Super 8mm projection. Plans also include constructing a concession stand and a separate full-service bar in the main lobby and soundproofing the area between the theatre and the bar.

"Phase one is to get the theatre in good working condition in order to exhibit films in traditional and digital formats," said Barak Epstein, President and CEO of Aviation Cinemas. "Long term goals to restore the theatre to its original condition still exist; but in order to realize those goals we've got to be on par with competing theaters. Attracting audiences is the only way this theatre will survive."

Aviation Cinemas, named in honor of billionaire Howard Hughes, who financed The Texas Theatre in 1931, is the brainchild of award-winning independent filmmaker, Barak Epstein. Epstein has been scouting potential spaces in the Dallas-Fort Worth area for several years. Following the Oak Cliff Foundation's involvement with the Texas Theatre led him to his first opportunity.

Award-winning Independent film producer, Adam Donaghey, is Vice-President and CMO. "Barak and I have been looking for the next project to team up on," said Donaghey, who's produced several films alongside Epstein, "and when the opportunity to be a part of a movie theatre with the kind of history the Texas has, I jumped all over it."

Creative Director for The Oak Cliff Foundation, Jason Reimer, will stay on as a part of Aviation Cinemas, continuing to head up programming and book shows. "When Barak came to us with his ideas for the Texas Theatre, " says Reimer, "I knew instantly he was the right fit. Coupled with Adam's ability to scout the latest and greatest on the indie film market, will make for some quality programming."

While the theatre has content booked through the rest of the year, beginning in October, including the Texas Blood Bath Film Festival in November, the grand opening of the new Texas Theatre is scheduled in January 2011. Following the grand opening, phase two will consist of remodeling the balcony by possibly turning it into two additional screens (ala the Inwood Theater in Dallas), remodeling additional areas for lounge space and installing a digital cinema 2K and 3D projector.

The Texas Theatre is currently booking independent films, concerts, theater programs, parties and events. Book your event by calling: 940-391-5899

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James Cameron to VanityFair.com on August 27: "I tend almost never to throw other films under the bus, but [Piranha 3D] is exactly an example of what we should not be doing in 3-D. Because it just cheapens the medium and reminds you of the bad 3-D horror films from the 70s and 80s, like Friday the 13th 3-D. When movies got to the bottom of the barrel of their creativity and at the last gasp of their financial lifespan, they did a 3-D version to get the last few drops of blood out of the turnip. And that's not what's happening now with 3-D."

Official statement from Mark Canton, producer of Piranha 3D: As a producer in the entertainment industry, Jim Cameron's comments on VanityFair.com are very disappointing to me and the team that made Piranha 3D. Mr. Cameron, who singles himself out to be a visionary of movie-making, seems to have a small vision regarding any motion pictures that are not his own. It is amazing that in the movie-making process - which is certainly a team sport - that Cameron consistently celebrates himself out as though he is a team of one. His comments are ridiculous, self-serving and insulting to those of us who are not caught up in serving his ego and his rhetoric.

Jim, are you kidding or what? First of all, let's start by you accepting the fact that you were the original director of Piranha 2 and you were fired. Shame on you for thinking that genre movies and the real maestros like Roger Corman and his collaborators are any less auteur or impactful in the history of cinema than you. Martin Scorcese made Boxcar Bertha at the beginning of his career. And Francis Ford Coppola made Dimentia 13 back in 1963. And those are just a few examples of the talented and successful filmmakers whose roots are in genre films. Who are you to impugn any genre film or its creators?

Having been deeply involved, as either an executive or as a producer, on Tim Burton's original Batman and the first Men in Black, as well as 300, and now Immortals, one of the things that has been consistent about all of the filmmakers involved in these landscape-changing global films is that, in each and every case, all of the directors were humbled by their predecessors, their colleagues and by their awareness of the great history of film that came before them. The enjoyment and the immersion of an audience in a movie theatre, as they had and will have with the above-mentioned films, and as audiences are experiencing with Piranha 3D now, comes from the originality and the vision of the filmmaker, and not just from the creation of the technology. You as much as anyone certainly knows that there are many pieces to the puzzle. Going to the movies still remains, arguably, amongst the best communal experiences that human beings can share.

My sense is that Mr. Cameron has never seen Piranha 3D...certainly not in a movie theatre with a real audience. Jim, we invite you to take that opportunity and experience the movie in a theatre full of fans - fans for whom this movie was always intended to entertain. Does Mr. Cameron have no idea of the painstaking efforts made by the talented young filmmaker Alex Aja and his team of collaborators? Clearly, and this one is a good bet, he has no clue as to how great and how much of a fun-filled experience the audiences who have seen the film in 3D have enjoyed. Those of us who have tried to stay in touch with the common movie audiences - the ones who really matter, the ones who actually still go to the theatre, put on the glasses, and eat the popcorn - take joy and pride in the fact that movies of all kinds, including Piranha 3D, have a place in filmmaking history - past, present and future. 3D unto itself is not a genre Jim, it is a tool that gives audiences an enhanced experience as they experience all kinds of movies. I believe Mr. Cameron did not see Piranha 3D either with any real audience or not at all. On opening weekend, I was in a Los Angeles theatre with a number of today's great film makers including JJ Abrams, who actually had nothing short of the fabulous, fun 3D experience that the movie provides. I am fortunate enough to have worked on, and continue to work on, evolutionary movies in all formats from just simple good story telling, which still matters most of all, to CG movies to tent-pole size 3D movies, and genre 3D movies like Piranha 3D. What it comes down to, Jim, is - that like most things in life - size doesn't really matter. Not everyone has the advantage of having endless amounts of money to play in their sandbox and to take ten years using other people's money to make and market a film....like you do. Why can't you just count your blessings? Why do you have to drop Marty Scorsese's or Tim Burton's names, both gentlemen who I have personally worked with, and who have enjoyed great joy and success with movies of all genres and sizes well before the advent of modern 3D? Then as now, they were like kids in a candy store recognizing, far beyond your imagination, the possibilities of storytelling and originality.

For the record, before you just totally dismiss Piranha 3D and all, in your opinion, worthless genre movies that actually undoubtedly gave you the ability to start your career, you should know that Piranha 3D had an 82% "fresh" (positive) ratting on Rotten Tomatoes on opening day - a web site that all the studios, filmmakers and the public use as a barometer of what makes a quality film.

We know that Piranha 3D has not achieved a boxoffice that is on the level of many of Mr. Cameron's successes. To date, Piranha 3D has earned over $30 million around the globe with #1 openings in several countries. And, as the "fresh" rating on Rotten Tomatoes indicates, critics and many, many others have embraced and celebrated Piranha 3D for the fun and entertaining - and even smart - movie-going experience that it is.

Let's just keep this in mind Jim....you did not invent 3D. You were fortunate that others inspired you to take it further. The simple truth is that I had nothing but good things to say about Avatar and my own experience since I actually saw it and didn't damn someone else's talent publicly in order to disassociate myself from my origins in the business from which we are all very fortunate. To be honest, I found the 3D in Avatar to be inconsistent and while ground breaking in many respects, sometimes I thought it overwhelmed the storytelling. Technology aside, I wish Avatar had been more original in its storytelling.

We have to inspire, teach and mentor this next generation of filmmakers. It is garbage to suggest that any film or any filmmaker who cannot afford to work to your standards should be dissuaded from following his or her craft by not making 3D movies or not making movies like District 9, for example, which probably cost the amount of Avatar's craft services budget, but totally rocked it in the movie theatre and in the marketplace. In that case, it was not a 3D movie. But had it been, it certainly would not have been any less original or impactful. The enormous worldwide success of Avatar has been good in all respects for you, your financiers, your distributors and the industry, as well as for the movie going public. Jim, there is a difference between Maestro which is a word that garners respect, and Dictator or Critic which are words better left for others who are not in our mutual boat or on our team. You are one of the best, it is reasonable to think that you should dig deeper and behave like it. Young directors should be inspired by you, not publicly castigated by your mean-spirited and flawed analysis.

While we are all awed by your talents and your box office successes - and I compliment you on all of them - why don't you rethink how you address films with which you are not involved? You should be taking the high road that is being travelled by so many of your peers, and pulling with them to ensure that we, as an industry, will have a continuum of talented filmmakers that will deliver a myriad of motion pictures both big and small, with 3D or any other technologies yet to come that will entertain audiences throughout the world. That is the challenge that we face. That is the future that we should deliver.

Please go see Piranha 3D in a theatre near you.

 

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