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By Alex Edghill

Wednesday Morning Update: Guardians Of The Galaxy rose 45% on Tuesday to 29,823 tweets, up from 20,609 tweets on Monday while its Facebook likes increased to 775,721 from 766,750. For the first time in a week it also nabbed the top spot on the day amongst all upcoming films on Twitter, something which has eluded it not because of low numbers but because of a few high profile trailers which grabbed some serious attention (Hobbit, 50 Shades, Hunger Games). By comparison The Avengers which had 51,744 tweets and 1,365,187 likes its Tuesday before release, Green Lantern with 2,909 tweets and 233,977 likes, Thor with 7,675 tweets and 356,954 tweets and Captain America: The First Avenger with 4,909 tweets and 673,322 likes. The level of social media buzz here for a net new superhero entry is pretty staggering and I would say it looks like a sure shot to eclipse the opening marks of all my comparisons save for Avengers which would make $70 million plus be in play.

Get On Up had another stellar rise with a 198% bump in tweet traffic to 3,908 tweets, up from 1,311 tweets on Monday, while its Facebook likes increased from 255,908 to 256,723. By comparison, Jersey Boys had 2,022 tweets and 137,631 likes its Tuesday before release, and 42 had 3,158 tweets and 296,481 likes. I believe this has more in the tank than Jersey Boys but will end up a ways shy of 42 for a couple of reasons, namely that its Facebook numbers and growth are behind and because its Twitter numbers are actually running not that far ahead of 42 which had a very common name and had to have a lot of restrictions in place to narrow down relevant tweets for. Teen millions on the weekend look probable.

One thing I wanted to mention was 50 Shades Of Grey which set a Twitter record for tweets for a trailer with just over 240,000 tweets last Thursday. This beat out the old record set by The Fault In Our Stars of 145,810 earlier this year. Really isn't surprising especially when casting news alone saw it surpass 16k tweets almost a year ago. Since the trailer hit its Facebook likes went up over 1.5 million to almost 5 million now which makes it the most liked upcoming movie that is not a sequel. This is clearly going to continue to be a social media heavyweight for years to come.

Twitter Top 15 Movies for Tuesday July 29th

Rk Film Mon Tue Week Mon-Tue %
1 (+3) Guardians of the Galaxy 20,609 29,823 50,432 44.71%
2 (+3) If I Stay 20,469 25,360 45,829 23.89%
3 (-2) The Hobbit: The Battle of the Five Armies 88,064 25,187 113,251 -71.40%
4 (-2) The Hunger Games: Mockingjay Part 1 80,602 22,451 103,053 -72.15%
5 (-2) Fifty Shades of Grey 38,531 17,943 56,474 -53.43%
6 (+10) The Maze Runner 3,471 13,743 17,214 295.94%
7 (-1) Avengers: Age of Ultron 16,677 10,794 27,471 -35.28%
8 (+1) Transformers: Age of Extinction 8,326 9,272 17,598 11.36%
9 (-1) Dawn of The Planet of The Apes 8,350 7,756 16,106 -7.11%
10 (+1) 22 Jump Street 6,892 6,931 13,823 0.57%
11 (-4) Hercules (2014) 8,432 5,966 14,398 -29.25%
12 (-2) The Purge: Anarchy 8,001 5,933 13,934 -25.85%
13 (+2) Teenage Mutant Ninja Turtles (2014) 4,293 4,839 9,132 12.72%
14 (+11) Get On Up 1,311 3,908 5,219 198.09%
15 (-2) Maleficent 6,099 3,740 9,839 -38.68%

Please check the methodology page for information about our Twitter project or here for historic data.

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By Daniel Garris

Universal's Lucy took in $4.97 million on Monday to lead the daily box office for a fourth consecutive day. The modestly budgeted sci-fi action film starring Scarlett Johansson fell 58 percent from Sunday. Lucy continues to exceed expectations with a strong four-day start of $48.87 million and will zoom past the $50 million mark today. The film is currently running 22 percent ahead of the $40.13 million four-day take of 2010's Salt.

Hercules continued to hold its own with a second place take of $3.34 million. The Dwayne Johnson led 3D action-adventure film from Paramount and MGM did fall 61 percent from Sunday, which represented the day's poorest daily percentage hold among wide releases. Hercules has grossed a stronger than expected $33.14 million in four days. That places the film 8 percent behind the $36.03 million four-day start of 2012's Wrath of the Titans.

Fox's Dawn of the Planet of the Apes took third place with $2.21 million. The critically acclaimed 3D sci-fi action sequel was down 58 percent from Sunday and down a so-so 47 percent from last Monday. Dawn of the Planet of the Apes has clearly taken a bit of a hit from the stronger than expected performances of Lucy and Hercules. With that said the film counties to exceed expectations with $174.67 million in 18 days.

Universal's The Purge: Anarchy claimed fourth with $1.53 million. The low budget horror sequel was down just 50 percent from Sunday and down a respectable 54 percent from last Monday. The Purge: Anarchy continues to perform well and has now grossed $53.39 million in eleven days. That places the film just ahead of the $53.14 million eleven-day take of last year's The Purge.

Planes: Fire and Rescue followed closely behind in fifth with $1.499 million. The modestly budgeted computer animated sequel from Disney fell 51 percent from Sunday and just 19 percent from last Monday. With an eleven-day take of $36.85 million, Planes: Fire and Rescue is currently running 21 percent behind the $46.76 million eleven-day gross of last year's Planes.

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By Alex Edghill

Tuesday Morning Update: Guardians Of The Galaxy continued its strong run on Monday as it accounted for 20,609 tweets, down 11% from Sunday's 23,154 tweets. The film is one of the last major Summer releases and has been getting a massive marketing push over the last few weeks to try to funnel as much dollars as possible into its opening weekend. To add fuel to the buzz fire the early reviews have been overwhelmingly favorable. The appeal here is vast and covers just about all demographics and while the Guardians Of The Galaxy are not household names like other strong Marvel franchises like Iron Man or Captain America they have done a great job at tying this into the extended Marvel Universe (those who stayed for the end of Thor: The Dark World would have seen the character The Collector who appears in this film). Other notable comparisons include The Avengers which had 45,936 tweets its Monday before release, Green Lantern with 2,354, Thor with 2,823 and Captain America: The First Avenger with 4,706. These comparisons are admittedly dated but this will be the first major Marvel adaptation that is not a sequel (or include main characters from previous films - aka The Avengers) since 2011. Clearly they have been looking for the right project to invest in and so far this looks like a very smart move on their part.

Its Facebook numbers have also been very strong as it had 766,750 likes by the end of yesterday, by comparison The Avengers had 1,326,867 likes, Green Lantern had 229,562, Thor had 320,851 and Captain America: The First Avenger had 666,414.

Start to line up sequels to this because its clear that this is going to be a huge success this weekend, its just a matter of how much of a success at this point.

Get On Up had a strong rise on Monday of 85% to 1,311 tweets from 706 tweets on Sunday, while its Facebook likes increased from 255,650 to 255,908. A solid counter-programming option on the weekend it will appeal to older moviegoers and fans of the late James Brown. I'm not that worried about lower Twitter numbers here as its target audiences are not exactly social media power-users. By comparison, Jersey Boys had 2,056 tweets and 135,045 likes its Monday before release, 42 had 2,283 tweets and 287,281 likes. The early signs here are definitely pointing to mid to upper teens which is a very strong start for the film.

Twitter Top 15 Movies for Monday July 28th

Rk Film Sun Mon Sun-Mon %
1 (+5) The Hobbit: The Battle of the Five Armies 12,296 88,064 616.20%
2 (-1) The Hunger Games: Mockingjay Part 1 66,868 80,602 20.54%
3 (-1) Fifty Shades of Grey 51,255 38,531 -24.82%
4 (-) Guardians of the Galaxy 23,154 20,609 -10.99%
5 (-) If I Stay 14,439 20,469 41.76%
6 (-3) Avengers: Age of Ultron 27,770 16,677 -39.95%
7 (-) Hercules (2014) 12,225 8,432 -31.03%
8 (-) Dawn of The Planet of The Apes 8,390 8,350 -0.48%
9 (-) Transformers: Age of Extinction 8,131 8,326 2.40%
10 (-) The Purge: Anarchy 7,012 8,001 14.10%
11 (-) 22 Jump Street 6,731 6,892 2.39%
12 (+53) Frank Miller's Sin City: A Dame To Kill For 125 6,192 4853.60%
13 (-1) Maleficent 5,924 6,099 2.95%
14 (-) The Expendables 3 4,625 4,801 3.81%
15 (+1) Teenage Mutant Ninja Turtles (2014) 2,856 4,293 50.32%
25 (+12) Get On Up 706 1,311 85.69%

Please check the methodology page for information about our Twitter project or here for historic data.

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christie.pngChristie Positioned For Continued Engineering and Product Innovation and Leadership with New Appointments; Executive VPs and Vice President Named

Jennifer Smith Heads Global Market Solutions; Mike Esch heads Global Engineering and Ihor Stech, Operations


CYPRESS, Calif. - (July 29, 2014) - Christie®, the global leader in helping customers create the world's best shared experiences, today announced several senior management appointments for its product and solutions management, engineering and operations' functions.

Jennifer Smith is promoted to executive vice president of Christie's new Global Market Solutions group. In this new role, Smith is responsible for the identification of customer and market needs for Christie's key areas of business and strategy to meet those needs. Her team brings a wealth of experience and will define the products, solutions and services needed to continue to maximize the value and benefit of these deliverables to Christie customers. Smith has been with Christie for 14 years and was most recently vice president, Global Engineering, prior to her promotion.

Succeeding Smith as vice president, Global Engineering for Christie, is Mike Esch, promoted from senior director of engineering. In his new position, Esch is responsible for the company's global engineering team and will create ground-breaking products and solutions that meet the customer needs uncovered by Smith's team. Esch has more than 15 years of engineering management experience, the majority of it with Christie.

In the new position of executive vice president, Operations, Ihor Stech is responsible for global operations, supply chain management, logistics and after-sale services. Working with Christie Professional Services and the Global Sales teams, Ihor will maximize Christie's varied global service offerings, including such key areas as RMA, service inventory and service and repair locations. Stech has 14 years of Christie experience and nearly three decades of like-industry experience.

The company stated that it is recognizing and expanding the responsibilities of the same hi-level team that helped grow Christie from a small portfolio of projection products in 1994 to where it is today, with more than 150 display products and solutions specifically designed to help customers create the world's best shared experiences. It added that the appointees have the vision and the experience to ensure that the company continues to exceed customer expectations with the best products, services and solutions possible.

About Christie®
Christie Digital Systems USA, Inc. is a global visual technologies company and is a wholly-owned subsidiary of Ushio, Inc., Japan, (JP:6925). Consistently setting the standards by being the first to market some of the world's most advanced projectors and complete system displays, Christie is recognized as one of the most innovative visual technology companies in the world. From retail displays to Hollywood, mission critical command centers to classrooms and training simulators, Christie display solutions and projectors capture the attention of audiences around the world with dynamic and stunning images. Visit www.christiedigital.com.

 

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christie.pngCYPRESS, Calif. - (July 29, 2014) - Christie®, a global leader in advanced cinema technologies and visual display solutions, continued its technology partnership recently with the University of Southern California's School of Cinematic Arts (USC SCA) by launching a state-of-the-art cinema experience at USC's showcase Theatre, the Eileen Norris Theatre. Christie, through a generous donation of equipment and installation services, will be the sole provider of all cinematic and audio equipment within the Eileen Norris Theatre, and will be working together with USC SCA in enhancing visual technologies, specifically cinematic ones.

The Eileen Norris Cinema Theatre is a 341-seat motion picture Theatre set within the campus of USC and adjacent to the Cinematic Arts Complex. It is home to some of the School of Cinematic Arts' largest classes and is the primary Theatre often used for large guest movie premieres and screenings of major Hollywood and International films at USC.

The Norris Theatre has undergone a total renovation of its projection and audio equipment, and with the help of Christie's Professional Services team, will now showcase movies with the most immersive projection and audio system available. Highlighting the Theatre will be the Christie Solaria Series DLP® CP4230 4K projector. This 4K series projector is prepared for the next generation of digital cinema, giving audiences the best visual experience possible. The Theatre is now also outfitted with a complete Christie Vive Audio system, utilizing over 40 different speakers, sub-woofers, and amps. The Vive S218 and S215 subwoofer, LA3 and LAC3 line array speakers, as well as the LA45 and LA4C speakers are all installed and complement the Theatre's Dolby Atmos® installation.

Christie Vive is specially configured to meet Dolby Atmos® sound technology requirements. Filmmakers use Dolby Atmos to place and move sounds anywhere in the movie Theatre, including overhead, to make film audiences feel as if they are inside the movie and not merely watching. Altogether, Christie has delivered to USC a solution to drive a captivating and unique experience that will give theatrical viewers a unique and truly immersive movie experience.

Commenting on the Eileen Norris Theatre installation, Eric Furie, Senior Technologist, USC CSA, said "Christie and our staff are to be congratulated on their support, input, and hard work in making the Norris Theatre into such an extraordinary space. The Theatre and the content displayed in it have never looked or sounded better; it's truly impressive!"

Christie's CEO Jack Kline had a vision to partner with the prestigious cinema school, located in Los Angeles, near Christie's headquarters, and cultivate a relationship through generous giving. Always wanting to give back, Mr. Kline believes that USC is the perfect educational environment in which to do that. The students in the School of Cinematic Arts are using cutting-edge technology in the creation of current content, film and visual experiences, and Christie's equipment will be the foundation for that.

"Christie's innovative culture, manifested through the cinema services, audio and visual technologies donated to USC, will complement the already vast knowledge and experience of the USC School of Cinematic Arts' educators," said Christie CEO Jack Kline. "Combined, the tools and expertise will inspire and equip future film makers to recreate humanity's stories in the most lifelike and engaging ways possible."

"The USC School of Cinematic Arts is one of the top-ranked film schools in the world so it's only fitting they have selected Dolby Atmos for the Eileen Norris Theatre," said Doug Darrow, Senior Vice President, Dolby Laboratories. "Now the entire USC community including student and Hollywood filmmakers, many of which have embraced Dolby Atmos, will benefit from the premium quality Dolby delivers."

Christie has been working with USC SCA in a philanthropic effort to provide not only current cinematic projection equipment, but also cutting-edge technological visual solutions for the school's recently constructed Interactive Media Building. Through the working relationship with the university, Christie plans to further its donation efforts and become the primary technology provider for the school.

About The USC School of Cinematic Arts
The University of Southern California's School of Cinematic Arts is one of the leading film schools in the world. Founded in collaboration with the Academy of Motion Picture Arts and Sciences in 1929 over 85 years ago, the USC School of Cinematic Arts has fueled and mirrored the growth of entertainment as an industry and an art form. The School offers comprehensive programs in directing, producing, writing, critical studies, animation and digital arts, production, interactive media and games, all backed by a broad liberal arts education and taught by leading practitioners in each field. Its more than 11,000 alumni are among the world's most distinguished animators, scholars, teachers, writers, directors, producers, cinematographers, editors, sound experts and industry executives. Since 1973 not a year has passed without an alumnus or alumna being nominated for an Academy Award. https://cinema.usc.edu/

About Christie®
Christie Digital Systems USA, Inc. is a global visual technologies company and is a wholly-owned subsidiary of Ushio, Inc., Japan, (JP:6925). Consistently setting the standards by being the first to market some of the world's most advanced projectors and complete system displays, Christie is recognized as one of the most innovative visual technology companies in the world. From retail displays to Hollywood, mission critical command centers to classrooms and training simulators, Christie display solutions and projectors capture the attention of audiences around the world with dynamic and stunning images. Visit www.christiedigital.com.

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"Christie" is a trademark of Christie Digital Systems USA, Inc., registered in the United States of America and certain other countries.

 

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