WASHINGTON - The National Research Council (NRC) today recognized that copyright theft has had a serious impact on the creative industries and urged new research to further document the effect on our nation's economic and creative growth.

The 85-page report by the NRC, which is a branch of the National Academies, titled "Copyright in the Digital Era - Building Evidence of Policy," explored four key research topics that impact film, music, book publishing and scientific publication: incentives to create, voluntary licensing transactions, enforcement challenges and striking the right balance between copyright protection, and exceptions and limitations. It acknowledged that copyright enforcement is a major area that warrants research due to, amongst other things, the lack of enforcement mechanisms outside of the United States.

In a section on film and piracy, the report highlighted the negative effect of illegal distribution services on legitimate markets, noting that "the persistence of Bittorrent file-sharing platforms and ad-supported cyberlockers continue to have a significant destabilizing effect on th[e] market" for "Blu-ray, DVD, and cloud services such as Ultraviolet, and authorized online services [that]... provide a promising opportunity for motion picture distributors to offer consumers the ability to access movies on the platform of their choice, but also for independent and niche filmmakers lacking access to theatrical distribution to reach a broader audience."

The report continued: "Although copyright law and other remedies under the DMCA remain an effective tool against infringing services located in the United States, most, if not all illegal services have moved off shore to territories that lack effective enforcement mechanisms making it nearly impossible to slow the proliferation of infringing download and streaming services. While the motion picture industry has embraced more distribution channels than ever before, the greatest threat facing the industry is the illegal distribution of movies while still in theaters. This has had the greatest impact on independent filmmakers that have struggled to achieve financial success and reliable financing."

The following is a comment by Michael O'Leary, the MPAA's Senior Executive Vice President for Global Policy and External Affairs: "We appreciate the hard work and dedication of the research committee, which included Mitch Singer, Chief Digital Strategy Officer, Executive Vice President, New Media and Technology, Sony Entertainment, Inc. As the committee noted, ‘the ease of infringing digital copying and distribution often weakens sales and reduces the revenue available to creators.' A major challenge to all of us is to identify potential avenues of solution, including the creative content and technology industries working more closely together to help ensure an Internet that works for everyone."

O'Leary agreed with the importance of robust research and noted that two recent studies involving researchers at Carnegie Mellon University and their colleagues have focused specifically on some of the issues discussed in the report.

In one, "Gone in 60 Seconds: The Impact of the Megaupload Shutdown on Movie Sales" researchers found that the Megaupload shutdown caused a 6-10% increase in digital movie revenues across 12 countries for 18 weeks as a result of the shutdown. http://papers.ssrn.com/sol3/papers.cfm?abstract_id=2229349

In the other, "Assessing the Academic Literature Regarding the Impact of Media Piracy on Sales," like the current NAS study, researchers found the vast majority of the literature - particularly the literature published in top peer reviewed journals - finds that piracy harms media sales. http://papers.ssrn.com/sol3/papers.cfm?abstract_id=2132153

 

Read more

LOS ANGELES -- Fandango, the nation's leading moviegoer destination, reported today that Iron Man 3 is the first film this year to score 100 on the company's Fanticipation scale (above), which charts movie fan buzz and excitement around the weekend box office line-up. Numerical scores (on a 1-100 scale) are calculated based a proprietary analysis of Fandango's advance ticket sales, website and mobile traffic, and social media engagement. To date, Iron Man 3 is flying away with 93% of Fandango's ticket sales today as of 10 am PT.

Voted in a springtime Fandango moviegoer survey as the most anticipated film of the summer season, Iron Man 3 is currently Fandango's top-selling advance ticket-seller of the year, and its advance sales are outperforming Iron Man 2, at the same point in that film's sales cycle.

According to a Fandango survey of more than 1,000 Iron Man 3 ticket-buyers:
88% of survey respondents said The Avengers influenced their decision to see Iron Man 3.
62% said Gwyneth Paltrow's more dynamic role in Iron Man 3 increased their interest in seeing the movie.
57% picked Sir Ben Kingsley as the most anticipated newcomer to the Iron Man franchise.

Read more

Iron-Man-3-Stills-iron-man-33278597-500-301.jpgIron Man 3 has grossed $307M and counting in the overseas markets. The superhero film has shattered records left and right, winning the top spot in each of the countries it opened. The release broke the single-day record in China, not included in our coverage from last week since it was only released on May 1. You can read our daily updates on Iron Man 3's global numbers here. Germany and Russia were the only major markets where Iron Man 3 did not premiere last weekend. The vacancy allowed a second consecutive victory for Russian hockey biopic Legend no. 17 to win in its domestic box office and, somewhat surprisingly, Scary Movie 5 to entertain German audiences in its debut weekend. 

AUSTRALIA: 'Iron Man 3' Records The Highest Disney And Marvel Opening Of All Time.

BRAZIL: 'Iron Man 3' Scores Second-Highest Ever Opening Weekend In Brazil.

CHINA: 'So Young' Slides Ahead Of 'G.I. Joe: Retaliation' To Lead Chinese Box Office.

FRANCE: A Robust Weekend Led By $14.9M 'Iron Man 3'.

GERMANY: No Iron Man? No Problem: 'Scary Movie 5' Opens At #1.

ITALY: 'Iron Man 3' Is #1 After $11.1M In First Week.

RUSSIA: 'Legend No. 17' Is #1 For Second Consecutive Weekend.

SOUTH KOREA: 'Iron Man 3' $16.4M Opening Dominates Box Office.

SPAIN: 'Iron Man 3' Is The Only Sign Of Life At The Box Office.

UK: 'Iron Man 3' Is The Undisputed #1 With $21.2M Opening Weekend.

Follow Daniel Loria and BoxOffice on Twitter for more on the global box office.

Read more

53429296680800441582126.jpgNo, it isn't (duh), but no one seems to be watching much else.

Iron Man 3 stole all the headlines last weekend in the global box office. The third installment of the superhero franchise broke box office records and took the top spot in each of the territories it opened. A $21.2 million take in the U.K. led the charge until Wednesday's China numbers came in. Iron Man 3 is poised to be a global juggernaut, recording the highest single-day gross in Chinese box office history: an estimated $21.5 million. Iron Man 3 has grossed $307 million in its overseas run.  

Iron Man 3 rolled out in Germany and Russia mid-week, where box office competition is limited to a slew of hold-overseas. Scary Movie 5 took advantage of the scaled release and won the top spot in its German premiere, while Russian hockey biopic Legend No.17 has held the top spot in Russia for two consecutive weeks.  

Other major distributors are taking a conservative approach around Iron Man 3's global release. Universal is rolling out Jurassic Park 3D and Identity Theft to more territories this weekend, hoping to get a push from audiences looking for an alternative to the superhero movie.   Identity Theft, a comedy about a fat, obnoxious American woman on a road trip with her hapless identity theft victim, might not be the easiest comedy to sell abroad. The comedy has grossed $34.5 million in 20 territories and will open in 8 additional countries this weekend. Mexico is the only potential market to stand out in that group; the only American comedy currently performing in the top ten is This is 40, struggling in 9th place after its second week with a gross under the half-million dollar mark. Identity Theft might walk away with an unexpected push from Mexico this weekend if it can find traction with local audiences.  

Jurassic Park 3D will open in six more territories this weekend. France is the biggest market on that list. The competitive and saturated nature of the French box office, however, offers no guarantees. France, along with China, is one of the most competitive markets for any release. Audiences are eclectic, loyal to domestic films, and see a great diversity of new releases each week to create one of the most dynamic markets in the world. I'm not sure how a 3D re-conversion/release will fare with French audiences, but its $7 million overseas total is already a good return for a film that cost $10 million to re-package under the glossy new 3D technology.  

Paramount will be happy after G.I. Joe: Retaliation surpassed its predecessor with an overseas total that currently stands at $232.7 million. The China release has been a big success, grossing over $50 million. Iron Man 3 will likely slow down its performance; the big story of the weekend might be how G.I. Joe fares in China with the release of Iron Man 3 in full swing. G.I. Joe will release in Japan, its last remaining major territory, on June 8. Meanwhile, Hansel and Gretel: Witch Hunters will try their luck in Italy, where it will open this weekend.  

You can take a look at which films performed best last weekend by accessing our weekly territory-by-territory rundown of the global box office's top markets.

Follow Daniel Loria and BoxOffice on Twitter for more on the global box office.

Read more

No Iron Man? No problem. The German box office had three films in the top ten break the $1 million mark despite the country being one of the few major territories to not premiere Iron Man 3. Scary Movie 5 took advantage of the vacancy and won the top spot at the box office, grossing $2.5 million. It was twice the amount that Oblivion made in its third week in Germany; the Tom Cruise film settled for second place with $1.2 million to reach a $6.7 million total in Germany. Mama dropped 27% and still managed to bring in $1 million over the weekend. Steven Soderbergh's Side Effects opened in number 6 with a strong $3,737 per-screen average. 

Box office results for Germany. April 26-28, 2013.

Screen_shot_2013-05-01_at_3.29.44_PM.png

Follow Daniel Loria and BoxOffice on Twitter for more on the global box office.

Read more

Subscribe to Articles Feed

Trailers