In 1770s France lived an intriguing fellow
known as Pierre Augustin Caron de
Beaumarchais. Though of, as they say,
humble birth, he was a brilliant writer, inventor,
shrewd businessman and had married
well--twice (both ladies unfortunately expiring
shortly after the ceremonies). His title was
purchased a title and he climbed his way into
court circles, but he was a relentless gadfly
and critic of the aristocracy. Between stints in
the Bastille for his insolence, he spied for the
Crown, smuggled arms to the American
Revolutionary Army, had affairs, and wrote the
wildly popular, poetically subversive comedy
"The Marriage of Figaro," which was banned
by both Louis XVI and Hitler. His life reads like
a James Bond movie in a powdered wig--and
now it
is.
"Beaumarchais, the Scoundrel" is a lush, lavishly mounted costumer that is simply a hoot from beginning to end. Like the main character, it is sly and funny and whip-smart but never takes itself too seriously--combining the French-court intellectual intrigue of "Dangerous Liaisons" with the bravura, breezy dash of "Tom Jones." Director Edouard Milinaro achieves the historical/costume filmmaking grail: connecting the audience to the schoolbook characters onscreen not by making them modern but by making them human and real. One small setpiece has Beaumarchais meet with Ben Franklin, and as presented here Poor Richard is a study in eccentricity that will leave no moviegoer looking at a hundred-dollar bill in quite the same way again.
Although "Beaumarchais" sometimes plays a bit fast and loose with history, the film succeeds not only as a work of entertainment but as a tease to find out more about the man and his world. It presents the Age of Enlightenment as an attractive, smart, dangerous place to be. Hell, it makes you want to read a copy of the "Marriage of Figaro." Starring Fabrice Luchini, Sandrine Kiberlain and Manuel Blanc. Directed by Edouard Milinaro. Written by Edouard Molinaro and Jean-Clause Brisville. Produced by Charles Gassot. A New Yorker release. Comedy. Unrated. French-language; English subtitles. Running time: 100 min.
"Beaumarchais, the Scoundrel" is a lush, lavishly mounted costumer that is simply a hoot from beginning to end. Like the main character, it is sly and funny and whip-smart but never takes itself too seriously--combining the French-court intellectual intrigue of "Dangerous Liaisons" with the bravura, breezy dash of "Tom Jones." Director Edouard Milinaro achieves the historical/costume filmmaking grail: connecting the audience to the schoolbook characters onscreen not by making them modern but by making them human and real. One small setpiece has Beaumarchais meet with Ben Franklin, and as presented here Poor Richard is a study in eccentricity that will leave no moviegoer looking at a hundred-dollar bill in quite the same way again.
Although "Beaumarchais" sometimes plays a bit fast and loose with history, the film succeeds not only as a work of entertainment but as a tease to find out more about the man and his world. It presents the Age of Enlightenment as an attractive, smart, dangerous place to be. Hell, it makes you want to read a copy of the "Marriage of Figaro." Starring Fabrice Luchini, Sandrine Kiberlain and Manuel Blanc. Directed by Edouard Milinaro. Written by Edouard Molinaro and Jean-Clause Brisville. Produced by Charles Gassot. A New Yorker release. Comedy. Unrated. French-language; English subtitles. Running time: 100 min.
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