A lengthy look at the world of pornographic
filmmakers, circa the late '70s and '80s,
"Boogie Nights" is a well-crafted, well-acted
entertainment but one that doesn't dig too
deep into its subject. Seen mostly through the
eyes of Eddie Adams ("Traveller's" Mark
Wahlberg), a naive, aimless California youth
who lucks into a new career as a porn star,
"Boogie Nights" covers a trajectory that could
be called The Rise and Fall of a Porn Star. At
the outset, Eddie, who's renamed himself Dirk
Diggler, is riding high, embraced by a happy,
oblivious family of outsiders, including
amiable Jack Horner (Burt Reynolds), a
director with delusions of grandeur; his sweet
wife, actress Amber Waves ("The Lost World:
Jurassic Park's" Julianne Moore); Buck ("Devil
in a Blue Dress'" Don Cheadle), an actor who
really wants to own a stereo store; Rollergirl
("Swingers'" Heather Graham), who takes off
everything but her skates; and Little Bill
("Fargo's" William H. Macy), a
behind-the-scenes organizer who's always
catching his wife in compromising
positions.
Their shenanigans are bracketed by the awful but catchy disco music and horrendous fashions of the time, and "Boogie Nights" doesn't delve much deeper than that. It too neatly divides the "innocent" '70s from the "bad" '80s, with everything falling apart for the film's mainly superficial characters. AIDS is not mentioned and, although video is referred to as "the wave of the future," its impetus in bringing porn out of disreputable theatres into the average American's home, and making it more popular than ever, is flagrantly ignored.
Paul Thomas Anderson ("Hard 8") is a very talented filmmaker, effectively going in a blink of the eye from comedy to Tarantino-inspired violence, but he doesn't seem to have a brain in his head. "Boogie Nights" could have been a filmic version of Terry Southern's brilliant satirical porn novel "Candy," but the film, enjoyable as it is, says nothing about America at all. Like most porn, it's as superficial as they come. Starring Mark Wahlberg, Julianne Moore and Burt Reynolds. Directed and written by Paul Thomas Anderson. Produced by Lloyd Levin, John Lyons, Paul Thomas Anderson, Joanne Sellar and Daniel Lupi. A New Line release. Comedy/drama. Rated R for strong sex scenes with explicit dialogue, nudity, drug use, language and violence. Running time: 150 min.
Their shenanigans are bracketed by the awful but catchy disco music and horrendous fashions of the time, and "Boogie Nights" doesn't delve much deeper than that. It too neatly divides the "innocent" '70s from the "bad" '80s, with everything falling apart for the film's mainly superficial characters. AIDS is not mentioned and, although video is referred to as "the wave of the future," its impetus in bringing porn out of disreputable theatres into the average American's home, and making it more popular than ever, is flagrantly ignored.
Paul Thomas Anderson ("Hard 8") is a very talented filmmaker, effectively going in a blink of the eye from comedy to Tarantino-inspired violence, but he doesn't seem to have a brain in his head. "Boogie Nights" could have been a filmic version of Terry Southern's brilliant satirical porn novel "Candy," but the film, enjoyable as it is, says nothing about America at all. Like most porn, it's as superficial as they come. Starring Mark Wahlberg, Julianne Moore and Burt Reynolds. Directed and written by Paul Thomas Anderson. Produced by Lloyd Levin, John Lyons, Paul Thomas Anderson, Joanne Sellar and Daniel Lupi. A New Line release. Comedy/drama. Rated R for strong sex scenes with explicit dialogue, nudity, drug use, language and violence. Running time: 150 min.
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