Well-intentioned and generally likable, it's
nevertheless disappointing to think of the film
"Dear God" might have been as compared
with the fluffy final edit. In this comedy,
charismatic con-man Tom Turner (Greg
Kinnear) is given the choice of getting a job or
going to jail, and he reluctantly chooses the
former. He secures a position in the U.S.
postal service's Dead Letter Office, a division
in which all undeliverable mail is sorted, and
where letters to fictional personages such as
Santa, Elvis, the Easter Bunny and God end
up. Tom soon sets about trying to purloin
postal goodies that have fallen into the DLO
void, but when he's nearly caught by his
mysterious supervisor (Hector Elizondo), he
pretends he's merely returning the items, and
hastily sends them off to a random
addressee--as it turns out, an impoverished
mother (Ellen Cleghorne) who had written to
God about her plight. A fellow co-worker
(Laurie Metcalf) witnesses Tom's actions and
believes he's on a mission to do God's work,
and she wants to help. Soon the entire rag-tag
misfit team of DLO employees are joining in,
reading letters addressed to God and trying to
aid those in need.
Tom, meanwhile, resists what seems to be his innate urge to do good, opting instead to focus on trying to con his way into a relationship with beautiful single mom Gloria (Maria Pitillo). But she sees through him, and her honest nature catalyzes him to make a change. Unfortunately, what weakens the strong premise of this film is the lack of realistic characters. The love-interest plot is totally empty, certainly incapable of inciting a 180-degree personality change. The postal workers are mostly cartoons, and the recipients of assistance aren't that sympathetic. Scenarios that could stir emotion are cut short by wackiness, which is probably the film's main flaw: "Dear God" could have been a powerfully affecting movie had it been a drama with comedic elements; instead, its ascending ridiculousness crescendos cringingly when an apoplectic postmaster general (Garry Marshall) and a soulless lawyer (Sam McMurray) try to incarcerate the postal paladins. Starring Greg Kinnear, Laurie Metcalf, Maria Pitillo and Tim Conway. Directed by Garry Marshall. Written by Warren Leight and Ed Kaplan. Produced by Steve Tisch. A Paramount release. Comedy. Rated PG for language and mild thematic elements. Running time: 111 min. Opens 11/1 wide
Tom, meanwhile, resists what seems to be his innate urge to do good, opting instead to focus on trying to con his way into a relationship with beautiful single mom Gloria (Maria Pitillo). But she sees through him, and her honest nature catalyzes him to make a change. Unfortunately, what weakens the strong premise of this film is the lack of realistic characters. The love-interest plot is totally empty, certainly incapable of inciting a 180-degree personality change. The postal workers are mostly cartoons, and the recipients of assistance aren't that sympathetic. Scenarios that could stir emotion are cut short by wackiness, which is probably the film's main flaw: "Dear God" could have been a powerfully affecting movie had it been a drama with comedic elements; instead, its ascending ridiculousness crescendos cringingly when an apoplectic postmaster general (Garry Marshall) and a soulless lawyer (Sam McMurray) try to incarcerate the postal paladins. Starring Greg Kinnear, Laurie Metcalf, Maria Pitillo and Tim Conway. Directed by Garry Marshall. Written by Warren Leight and Ed Kaplan. Produced by Steve Tisch. A Paramount release. Comedy. Rated PG for language and mild thematic elements. Running time: 111 min. Opens 11/1 wide
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