This is compelling material, but Szabo's--and screenwriter Ronald Harwood's--execution of it is ham-handed. "Taking Sides" is mostly made up of scenes of a righteous Arnold--in a one-note performance by Keitel--browbeating a cowering Furtwangler. (Skarsgard, who looks too young to be playing the 59-year-old Furtwangler, simply looks guilty in those scenes.) An ornate film with carefully designed sets depicting the ruined aftermath of Berlin, "Taking Sides" fails to catch fire, unlike Jan Troell's recent gem, "Hamsun," which also dealt with a well-known artist, Norwegian writer Knut Hamusun, facing the ramifications of his involvement with Nazi Germany. It's only in its last, admittedly powerful scene, in which the reasons for Arnold's anger are revealed and Furtwangler gets to articulate the reasons for his stance, that "Taking Sides" begins to have an impact. But by then, it's too little, too late. Starring Harvey Keitel, Stellan Skarsgard and Moritz Bleibtreu. Directed by Istvan Szabo. Written by Ronald Harwood. Produced by Yves Pasquier. A New Yorker release. Drama. Unrated. Running time: 111 min.
Taking Sides
What is the responsibility of the artist living
under totalitarianism? Does he continue to
create his art while trying to remain above the
political fray? Or does he actively try to
influence events so that less people suffer
under the dictatorship--but thus risk his life in
the process? Istvan Szabo's "Taking Sides"
locates that moral dilemma in the case of
famed German conductor Wilhelm
Furtwangler, who, along with Herbert von
Karajan, was one of Germany's greatest
musical talents. But while van Karajan was a
declared member of the Nazi party and thus
morally culpable, Furtwangler's record was
not so clear-cut. He supposedly saved Jewish
musicians but also went on record with anti
-Semitic comments and performed for Hitler.
"Taking Sides" concentrates on the battle of
wills between a fictional American
Denazification expert, Major Steve Arnold
(Harvey Keitel), and Furtwangler (Stellan
Skarsgard), who wants to be cleared of
suspicion so he can go back to performing.
Major Arnold considers all Germans guilty of
being Nazis, but his German-born Jewish
lieutenant, David Wells (Moritz Bleibtreu), is
more sympathetic to Furtwangler's plight.
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