Russia

Today’s Top Story: German's 'Trudno byt Bogom' set for fall release on July 22, 2013

According to The Hollywood Reporter, the long-awaited final picture by Russian director Aleksei German will be released this fall. German died in February at age 74.

Trudno byt Bogom (Hard to be a God) will be completed by Aleksei German Jr., who is an accomplished director of his own. The film is still moving in his father’s direction, “working from his notes, directions, desires and will, and that is the most important.”

Work on the film is going as scheduled. “The original image has been cleaned and computer graphic work has been completed. Work on color correction has started,” German Jr. said. 

Trudno byt Bogom is an adaptation of the 1963 Russian science-fiction novel by Arkady and Boris Srugatsky. This film has been a long time coming, as filming began as early as 1999. 

RUSSIA: 'Pacific Rim' Dominates with $8.8M Opening Weekend on July 17, 2013

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An $8.8 million opening weekend gave Pacific Rim the top spot at the Russian box office over the weekend. Guillermo del Toro's high-concept tent-pole averaged $5,768 from 1,540 screens. Disney's The Lone Ranger was a distant second with a $2.9 million sophomore frame, a 55% drop from its opening weekend, to reach a $12.2 million cume. Turbo came in third place with a $2 million take despite leading the screen count in the territory with 1,603 locations.

Other top performers in Russia include World War Z ($23.3M in 3 weeks), Monsters University ($19.9M in 4 weeks), and Now You See Me ($19.6M in 5 weeks).

Top 10 Films in Russia. July 12-14, 2013.

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A Big Opening for 'Pacific Rim,' Strong Hold for 'Lone Ranger' in Russia on July 15, 2013

A $9.3 million debut for Pacific Rim propelled Guillermo Del Toro's tent-pole to the top of the box office in Russia. The film scored higher than many other comparable titles in the market: 377% higher than The Day After Tomorrow, 214% above Rise of the Planet of the Apes, 208% ahead of War of the Worlds, and 177% more than Transformers 2.

Disney posted strong numbers in the market as well. Monsters University hit the $20 million mark in Russia this weekend and The Lone Ranger continued its successful run in the country by reaching a $12.4 million cume. Russia accounts for about a quarter of The Lone Ranger's total overseas gross. The adventure Western has already surpassed the four-week $10.7 million total for Man of Steel.

World War Z added another $1.4 million in its third weekend to reach a $23.3 million cume. The zombie thriller has been playing holding well in Russia with three consecutive weekends above the $1 million mark. Fox's comedy The Heat has also been connecting with Russian audiences. The Heat held on for a $1 million weekend, a 43% drop from its previous frame, to reach a $3.8 million total.

 

RUSSIA: 'Lone Ranger' Opens in First as Superman Tumbles on July 10, 2013

LoneRangerStill.jpgThe Lone Ranger rode into first place in Russia, grossing $6.6 million in its opening weekend. The Gore Verbinski/Johnny Depp partnership had little competition, with second place World War Z dropping 63% in its sophomore frame for a $4.1 million weekend. It was a big enough weekend for Brad Pitt's zombie epic to break the $20 million mark in Russia. The Heat didn't bring in Hangover-like numbers in its debut, but opened to a promising $1.7 million in a market that is increasingly responding to U.S. comedies.

Monsters University and Now You See Me closed the weekend on the verge of the $20 million mark, a milestone they are both expected to hit by next weekend. Man of Steel has had less success in Russia. The Superman reboot fell a whopping 80% in its third week for a $10.4 million total.

Box Office Results for Russia. July 5-7, 2013

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Is a Production Code in the Cards for the Russian Film Industry? on July 09, 2013

About a year ago, Russian president Vladimir Putin suggested the idea of the development of a group to create a code of ethics for the Russian film industry. Now, according to The Hollywood Reporter, this group has been established. It consists of producer Leonid Vereschchagin, film critic Kirill Razlogov, director Karen Shakhnazarov, and director Marlen Khutsiyev, amongst others. 

With a deadline of Oct. 1, 2013, this code of ethics could “improve the quality of local films and curb violence on Russian screens.” Putin has referenced the Hays Code, which served as the moral compass for Hollywood from 1930 to 1968 before the MPAA rating system, as a guide to create a censorship code. Rinat Davletyarov, the head of the Russian producers guild, called Hollywood’s time under the Hays Code the “golden age,” which shows support for a Russian adaptation of the American guidelines.

The proposition of the code of ethics is not without its critics, however. Director Andrei Proshkin, who heads KinoSoyuz, an alternative union of filmmakers, believes that the existing Russian rating system—which has been made stricter—is sufficient to deal with the ethical issues that are present. 

 

 

 

 


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