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May 2010 > Industry Briefs

Industry Briefs

Tags: Cinedigm , Dolby , NCM Fathom , Technicolor , Toy Story 3 , jbl

TECHNICOLOR announced that its next-generation 3D-on-fi lm solution has commitments for more than 150 screens to be installed in North America for the release of Clash of the Titans. Technicolor’s pricing model features a “pay-as-you-go” business structure for theater owners in mid and small marke...

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April 2010 > Industry Ads

Technicolor 3D

Tags: 3d , Clash Of The Titans , Technicolor

3D for Everyone Don’t let high digital 3D costs keep you two-dimensional. Audiences are lining up for 3D movies in record numbers and paying premiums for the experience. Technicolor has developed a next-generation 3D solution for 35MM projectors enabling exhibitors to bring 3D to audience...

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March 2010 > Special Report

Why I’m installing Technicolor’s 3D-on-fi lm

Tags: 3d , Avatar , Ben Moss , Benjamin S. Moss , Bow Tie Cinema , Technicolor

SPECIAL REPORT > 3D ON FILM Why I’m installing Technicolor’s 3D-on-film Bow Tie Cinema’s co-owner on the controversial technology S ince Bow Tie Cinema’s founder Benjamin S. Moss opened a nickelodeon in 1900, the theater chain—and four generations of the Moss family—have faced several upheava...

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December 2009 > TECH TALK

A life in sound / Technicolor’s daring sidestep

by Phil Contrino / Amy Nicholson

Tags: 3d , Audio Engineering Society , Avatar , Deluxe Entertainment Services Group , Dolby Laboratories , Eastman Kodak , Fujifilm , Ioan Allen , ShowEast , Silver Screen Fund , Technicolor , nato

TECHTALK A life in sound By Phil Contrino Dolby’s Ioan Allen receives recognition for a great career RINGING ENDORSEMENT AES President Jim Anderson presents Ioan Allen with his Silver Medal Award T he unfortunate thing about sound in cinema is that when a gunshot rattles the theater or a ...

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December 2009 > TECH TALK

A life in sound / Technicolor’s daring sidestep

by Phil Contrino / Amy Nicholson

Tags: 3d , Audio Engineering Society , Avatar , Deluxe Entertainment Services Group , Dolby Laboratories , Eastman Kodak , Fujifilm , Ioan Allen , ShowEast , Silver Screen Fund , Technicolor , nato

mor has, may also be leased for less) isn’t a wasted cost. With the $3 premium for 3D tickets, the lens will pay for itself in two solid weekends. Going forward, that extra cash can then be socked away to pay for that digital upgrade—a goal Technicolor shares with the industry. In many regions of...

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